Objects: USA 2020: Reimagining the American Studio Craft Movement
The Legacy of “Objects: USA” (1969)
In 1969, the Smithsonian American Art Museum debuted “Objects: USA,” a groundbreaking exhibition that showcased the diverse and vibrant American studio craft movement. The exhibition, which featured over 500 works by established and emerging artists, had a profound impact on the art world and beyond. It introduced the movement to a new generation of enthusiasts, provided a platform for American artists to exhibit their work on a global stage, and helped to diversify the art scene, which had been predominantly white and male.
The Resurgence of Craft in the 21st Century
Today, we are witnessing a resurgence of interest in craft as an art form. The once clear distinction between art and craft is blurring, with ceramics, fiber art, and other handmade objects finding their way into major art galleries and institutions. This renaissance is driven in part by a growing appreciation for the skill and creativity involved in craft, as well as a desire for authenticity and connection in an increasingly digital world.
“Objects: USA 2020” at R & Company
In keeping with the spirit of the original exhibition, R & Company is presenting “Objects: USA 2020,” a contemporary reimagining of the groundbreaking show. On display from now through July 2021, the exhibition features 100 works by 100 artists, representing both established pioneers from the original “Objects: USA” and a new generation of contemporary sculptors, woodworkers, glassmakers, and ceramicists.
Breaking the Mold: Diversity and Inclusion in Contemporary Craft
“Objects: USA 2020” is unique in its commitment to diversity and inclusion. The exhibition showcases a wide range of perspectives, styles, and mediums, challenging the traditional hierarchy of art forms. By presenting emerging artists alongside established names, the exhibition provides a platform for new voices to be heard and fosters a more inclusive and equitable art world.
Ebitenyefa Baralaye: A Rising Star in Contemporary Ceramics
Among the contemporary artists featured in “Objects: USA 2020” is Ebitenyefa Baralaye, a Nigerian-born, Detroit-based ceramicist, sculptor, and designer. Inspired by the groundbreaking artists of the original “Objects: USA,” particularly Toshiko Takaezu, Baralaye creates elegant and evocative works that explore themes of identity, heritage, and the human condition. His two pieces in the exhibition, “Meiping” and “Serpent I,” showcase his mastery of form and glaze, and his ability to imbue his work with a sense of warmth and familiarity.
The Enduring Impact of “Objects: USA”
Over 50 years after its debut, “Objects: USA” continues to influence and inspire artists and curators alike. The exhibition’s catalog, which features biographies of the featured artists and their work, remains an essential reference for scholars and enthusiasts. Gloria Kenyon, senior public programs coordinator at the Smithsonian American Art Museum, credits “Objects: USA” with making craft accessible to the public in a new way and opening the door for more diverse voices in the art world.
The Power of Craft in the Modern Art World
In a recent essay, Glenn Adamson, one of the curators of “Objects: USA 2020,” argues that craft is essential to the future of the art world. He highlights its potential for fostering diversity, challenging traditional hierarchies, and providing a much-needed connection to the handmade in an increasingly digital age. By embracing craft, the art world can enrich itself and become more inclusive and meaningful.
A Call to Champion Handmade Objects
Evan Snyderman, co-founder of R & Company, believes that the current movement towards handmade objects is a positive sign for the future of art. He encourages collectors and enthusiasts to support the work of contemporary craft artists and to appreciate the skill and creativity that goes into their creations. By doing so, we can help to ensure the continued vitality and evolution of the American studio craft movement.